
Appraisal: Paul Revere Jr. Silver Pitcher with Diary, ca. 1775
Clip: Season 30 Episode 22 | 2m 51sVideo has Closed Captions
Appraisal: Paul Revere Jr. Silver Pitcher with Diary, ca. 1775
Check out Reid Dunavant’s appraisal of Paul Revere Jr. silver pitcher with diary, ca. 1775, in Coastal Maine Botanical Gardens, Hour 1!
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Appraisal: Paul Revere Jr. Silver Pitcher with Diary, ca. 1775
Clip: Season 30 Episode 22 | 2m 51sVideo has Closed Captions
Check out Reid Dunavant’s appraisal of Paul Revere Jr. silver pitcher with diary, ca. 1775, in Coastal Maine Botanical Gardens, Hour 1!
Problems playing video? | Closed Captioning Feedback
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Learn Moreabout PBS online sponsorshipGUEST: Today I brought a cream pot forged by Paul Revere and a diary belonging to Thaddeus Harris and his portrait.
APPRAISER: So it's interesting that there's a contemporary journal and he was the son of the person who actually, of the man who owned this cream pitcher.
GUEST: Yes, William Harris.
So the diary is depicting the night that they left Charlestown because they got intel that the Regulars were coming.
APPRAISER: Mm-hmm.
When you say the Regulars, that means the British... GUEST: The British.
APPRAISER: ...the British army.
GUEST: Yeah, the British Army.
So they grabbed a bundle of important papers and some linens, some silver plate, this cream pot and some spoons.
And obviously the wife and children... (soft chuckle) ...and the mother-in-law and fled to Lexington.
They didn't stay there long because the Battle of Concord and Lexington had just happened.
APPRAISER: Mm-hmm.
GUEST: Um, on April 19.
APPRAISER: What year was that?
GUEST: 1775.
APPRAISER: Okay.
GUEST: And so they left Lexington and went out to Sterling, Mass., where they felt that they were safer.
APPRAISER: Okay.
Paul Revere, of course, is the one maker of colonial silver that any collector would really want to have.
By colonial silver, I mean silver made before America became the United States, when it was still the 13 colonies and owned by England.
APPRAISER: Paul Revere was a silversmith in Boston.
His father had also been a silversmith.
This pitcher was probably relatively new at the time that this, uh, incident occurred.
It's, uh, neoclassical in style.
It's a helmet form pitcher.
And it's got some very lovely engraving on the outside of it with some initials as, as showing who it belonged to in the family.
And then the mark of Paul Revere, Jr.
on, on the back of the foot.
GUEST: Mm-hmm.
APPRAISER: A similar creamer sold this year, 2025, for a little over $25,000.
I think with the archival material that you have, the story of it relating to having been something that was saved from being stolen by the British army... GUEST: Mm-hmm.
APPRAISER: ...uh, makes it a very interesting story and adds some value to it.
I would say that if this were to come up at a public auction of American silver, the pitcher combined with the archival material and the miniature portrait would bring in the neighborhood of $25,000 to $30,000.
And as its property of your family and has historical importance to your family, I'm sure you're not going to sell it.
So I would put an insurance value of $40,000 to $60,000 on it.
GUEST: Wow.
That's amazing.
Appraisal: F. Douglass Letter & Free Will Baptist Archive
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Clip: S30 Ep22 | 5m 43s | Appraisal: F. Douglass Letter & Free Will Baptist Church Archive (5m 43s)
Appraisal: Flag Quilt, ca. 1880
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Clip: S30 Ep22 | 3m 2s | Appraisal: Flag Quilt, ca. 1880 (3m 2s)
Appraisal: Tiffany Studios Turtle Back Glass Shade
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Clip: S30 Ep22 | 2m 30s | Appraisal: Tiffany Studios Turtle Back Glass Shade, ca. 1915 (2m 30s)
Appraisal: WWII Propaganda Posters
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Clip: S30 Ep22 | 4m | Appraisal: WWII Propaganda Posters (4m)
Appraisal: 1775 Abilmeleck Uncus-carved Powder Horn
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Clip: S30 Ep22 | 3m 21s | Appraisal: 1775 Abilmeleck Uncus-carved Powder Horn (3m 21s)
Appraisal: Washington's Inaugural Ball Sash, ca. 1789
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Clip: S30 Ep22 | 3m 39s | Appraisal: Washington's Inaugural Ball Sash, ca. 1789 (3m 39s)
Appraisal: 1954 Fender Stratocaster
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Clip: S30 Ep22 | 1m 56s | Appraisal: 1954 Fender Stratocaster (1m 56s)
Appraisal: George Nakashima Grass Seat Chair, ca. 1965
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Clip: S30 Ep22 | 4m 43s | Appraisal: George Nakashima Grass Seat Chair, ca. 1965 (4m 43s)
Appraisal: 1968 Warhol Campbell's Soup Can Screenprint
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Clip: S30 Ep22 | 3m 50s | Appraisal: 1968 Warhol Campbell's Soup Can Screenprint (3m 50s)
Appraisal: Colt Single-action Army Revolver, ca. 1880
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Clip: S30 Ep22 | 21s | Appraisal: Colt Single-action Army Revolver, ca. 1880 (21s)
Appraisal: Women's Carved Surf Board, ca. 1925
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Clip: S30 Ep22 | 1m 37s | Appraisal: Women's Carved Surf Board, ca. 1925 (1m 37s)
Appraisal: 1941 Sportsman's Park Panorama
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Clip: S30 Ep22 | 3m 7s | Appraisal: 1941 Sportsman's Park Panorama in St. Louis, MO (3m 7s)
Appraisal: George Ohr Pottery, ca. 1900
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Clip: S30 Ep22 | 4m 44s | Appraisal: George Ohr Pottery, ca. 1900, in New Orleans Hour 2. (4m 44s)
Appraisal: 1796 & 1799 Mary Way Dressed Miniatures
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Clip: S30 Ep22 | 3m 14s | Appraisal: 1796 & 1799 Mary Way Dressed Miniatures, from Vintage Austin. (3m 14s)
Appraisal: 1960 Ansel Adams Portfolio III
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Clip: S30 Ep22 | 2m 15s | Appraisal: 1960 Ansel Adams Portfolio III, from Vintage Hot Springs. (2m 15s)
Appraisal: Gustav Stickley Armchair, ca. 1905
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Clip: S30 Ep22 | 1m 15s | Appraisal: Gustav Stickley Armchair, ca. 1905, from Virginia Beach. (1m 15s)
Appraisal: 1884 Edison Light Bulb & Plaque
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Clip: S30 Ep22 | 2m 40s | Appraisal: 1884 Edison Light Bulb & Plaque, from San Diego. (2m 40s)
Appraisal: Claymore Beaded Bag, ca. 1895
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Clip: S30 Ep22 | 1m 54s | Appraisal: Claymore Beaded Bag, ca. 1895, from Rapid City Hour 2. (1m 54s)
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